As an actor on Houston stages, Philip has appeared at Classical Theater Company (The Barber of Seville, The Triumph of Love, Candida, Tartuffe), Main Street Theater (Copenhagen, Dog Act, Love Goes to Press, Life Is a Dream, The Coast of Utopia trilogy), 4th Wall Theater Company (Much Ado About Nothing, A Midsummer Night’s Dream, Stage Kiss), Houston Shakespeare Festival (Cymbeline, Twelfth Night, A Midsummer Night’s Dream), and more. Philip is a former Artistic Associate of the Prague Shakespeare Company, where he performed in over twelve productions, and directed, co-wrote, and performed in two original adaptations for the Prague Fringe: The Duchess of Malfi and The Murder of Gonzago. Burns: a post-electric play (Cape Repertory Theatre, Brewster, MA). Other directing credits include Our Town (University of Houston) The Birds, A Christmas Carol, Doctor Faustus, and Ubu Roi (Classical Theatre Company) Love and Information (Main Street Theater) Mr. Philip Hays (Director) is a Company Member of Horse Head Theatre Co., for whom he directed 2016’s regional premiere of The Judgment of Fools, co-created and performed The Whale or, Moby-Dick, and acted in Among the Thugs. She holds degrees in Dance Performance and English Literature from SMU and trained at the Taylor School, Graham School, Tisch School of the Arts, Limon Institute and SMU. She is a choreographer, curator, filmmaker, educator, and dance writer originally from the California Bay Area. A champion of new music composers, her work deepens interdisciplinary and multigenerational collaborations, and investigates the placement of dance in our lives.
She has been named an Emerging Leader by Dance/USA and has led Frame Dance in performances from the Galveston pier onto the METRO light rail, in the backs of U Haul trucks, downtown tunnels, and into museums, stages, and warehouses throughout Texas for the past six years. Lydia Hance (Movement)Dubbed Houston’s “queen of curious locations,” Lydia Hance is the Executive and Artistic Director of Frame Dance Productions. Education: B.F.A., Sam Houston State University, Theatre Design and Technology Stagecraft Institute of Las Vegas. Design), Panto Wonderful Wizard, Panto Snow Queen: Unfrozen The Ensemble Theatre: Simply Simone, The First Noel, A Soulful Christmas Catastrophic Theatre Company: Tamarie's Merry Evening of Mistakes and Regrets Classical Theatre Company: The Bear/Proposal, The Ghost Sonata A.D.Players: The Lion, The The Telephone and the Medium DiverseWorks: What Shall We Do Next Urban Souls Dance Company: Between Two Worlds, Three City Blocks Sam Houston State University: A Funny Thing Happened on the Way to the Forum, Much Ado About Nothing, Trojan Women, Waiting for Godot, Enron (Dance Lighting Design) Spectrum: Drift It’s Good to See You Again Texas Dance Improvisation Festival. Mitchell Cronin (Lighting Design) Horse Head Theatre Co.: Church, The Judgement of Fools Main Street Theater: The Last Wife, Native Gardens, How I Became a Pirate (MATCH and Hobby Center), The Revolutionists, Duck for President, RFK, Red Hot Patriot, Harriet the Spy, Magic Tree House: A Night in New Orleans, Goodnight Moon, Lilly’s Purple Plastic Purse Prague Shakespeare Company MST: Much Ado About Nothing, Venus in Fur, Twelfth Night Stages Repertory Theatre: Honky Tonk Angels at Miller Outdoor Theatre (Assoc. In the Houston Area, Jessica has previously worked with Mildred's Umbrella as a stage manager on Feathers & Teeth and Museum of Dysfunction IX.
She has also previously worked as the ensemble stage manager for This Is Water Theatre in college station on Of Serpents and Sea-spray, and The Complete Works of William Shakespeare (Abridged) (Revised). Jessica Cooper (Stage Manager) Jessica recently graduated from Texas A&M University with a BA in Psychology and Theatre, where she stage managed departmental productions such as Pillowman, Machinal, and Marisol along with smaller directed studies projects.
0 kommentar(er)
